The Catfish Conundrum

We're delighted to have been invited to present this new work at the world-famous Tete a Tete Opera Festival in August 2014.

 

The Catfish Conundrum is a new operetta for five singers lasting 30 minutes. It's lively and slightly bonkers. Directed by international opera director David Edwards

 

It will be performed by The Music Troupe, which is a not-for-profit organisation. We want to create new operas which encourage singers and musicians of all ages and experience and which exploit the wonderful depth and breadth that this art form holds for contemporary audiences. We don't aim to re-invent the wheel: we're happy to connect the new to the traditional.

 

Passions are aroused by an Arts Council exhibition in London 1971 in which art becomes a matter of life and death - for the Catfish on display. The Press is indignant: ‘Animal cruelty!’ 'Is this art?' Spike Milligan, the Arts Council, the artist and, finally, President Reagan all have their say. And the Catfish? Could this be the only opera in which the heroine is killed - and eaten?

 

HELP! - opera costs money to put on. The cast of five and the two musicians must be paid. These are established or up-coming performers (not students). Good quality doesn't come cheap! We need to hire a space to rehearse. There are incidental costs of making props and costumes....  the performances are part of the Tete a Tete Opera Festival which provides the performance venues and takes care of publicity, etc., a huge benefit in kind, but in return they only pass on to the performers a proportion of the box office income.

SO! - please support us! Thank you!

THE TEAM

Donna Lennard (Catfish)

Mark Beesley (Lord Goodman)

Christopher Diffey (Spike Milligan)

Alistair Shelton-Smith (Newton Harrison)

Joanna Gamble (Ronald Reagan)

Music & text by Edward Lambert 

Directed by David Edwards

 

 

The Music Troupe of London recently made its debut in the Brighton Fringe and played in two London venues:

•  "...succeeds in holding the attention of the audience due to its fast pace, stylish production... and Lambert's strikingly lively score". (Planet Hugill)
• "Lambert's music... is always strongly directional and full of emotion... This was a fabulous piece of theatre..."(Newbury Weekly News)
• "Bite-sized opera strikes gold... an impressive debut..." (remotegoat.com)